Review of Silent Hill (2006) by Nathan Lee for The New York Times — 17 Dec 2014
From first frame to last, not a second of the film has a grip on reality. Structured around a series of blackouts and gross-outs, it is one long free fall through icky surrealism and underlighted nightmares.
It takes us to the sort of world where hell is round the corner, secret doors abound and faux-blond policewomen outfit themselves in skin-tight leather.
You can read the full review where it was originally posted online.
This review of Silent Hill (2006) was written by Nathan Lee and published by The New York Times on 17 Dec 2014.
Silent Hill has generally received mixed reviews.
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