Review of Serena (2014) by Vadim Rizov for The A.V. Club — 25 Mar 2015
Played as a kind of constant wake, grimly marching on to tragedy, Serena is hurt by relentless applications of Johan Söderqvist’s unimaginatively somber score and DP Morten Søborg’s reliance on lots of over-the-shoulder handheld shots, the camera swinging close to and around people’s faces and shoulders.
You can read the full review where it was originally posted online.
This review of Serena (2014) was written by Vadim Rizov and published by The A.V. Club on 25 Mar 2015.
Serena has generally received mixed reviews.
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