Review of Second Act (2018) by Nell Minow for RogerEbert.com — 21 Dec 2018
A mishmash that has as much of an identity crisis as its name-switching, past-hiding, resume-inflating main character. Perhaps there is a clue in the credits, where we learn that Lopez is the producer as well as the star.
As is so often the case, here that means that the movie is more about what would be fun for Lopez to do than what would be fun for the audience to watch.
You can read the full review where it was originally posted online.
This review of Second Act (2018) was written by Nell Minow and published by RogerEbert.com on 21 Dec 2018.
Second Act has generally received mixed reviews.
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