Review of Satantango (1994) by Rory P — 28 Jun 2009
Not a lot can be said about this film that hasn't already been said.
Except perhaps that it is the greatest film of the 90s.
Gabor Medvigy has solidified a spot on my favorite cinematographers list. Any Tarr film is visual masturbation, but this one takes the cake (though I still have yet to see The Man From London; anticipating The Turin Horse).
Normally Facets fucks up on their DVD releases, but Satantango was surprisingly well published (Macbeth on the other hand...).
I think it is interesting that Mihaly Vig (who plays Irimias) is also Tarr's go to composer.
The first third of the movie seems like Domestic Trilogy Tarr in content (docudrama/social commentary), but certainly latter Tarr in aesthetic. This third examines the follies of capitalism and how humanity's inherent egocentrism and greed undermines it.
The second third is a a tragedy of near Shakespearean proportions. This arc essentially sets up the third act.
Out of the the tragedy of the second arc, the satire of the final act can be seen. Tarr suggests the follies of communism being undermined by humanity's inherent egocentrism.
All three elements I've listed as "arc themes" are abound throughout the film overall, but are concentrated/focused upon in their respective arcs.
Despite its bleakness, the film is a rather cathartic experience.
This review of Satantango (1994) was written by Rory P on 28 Jun 2009.
Satantango has generally received very positive reviews.
Was this review helpful?
