Review of Rosemary's Baby (1968) by Pauline Kael for The New Yorker — 11 Aug 1969
Using New York’s famed apartment house the Dakota for all its cavernous shadowiness, and exploiting the 23-year-old Farrow’s tremulous space-child vulnerability to underscore her terror and solitude, Polanski worked with an elegant restraint that less talented filmmakers have been trying to mimic ever since.
You can read the full review where it was originally posted online.
This review of Rosemary's Baby (1968) was written by Pauline Kael and published by The New Yorker on 11 Aug 1969.
Rosemary's Baby has generally received very positive reviews.
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