Review of Residue (2020) by Richard Brody for The New Yorker — 17 Sep 2020
Gerima films Jay’s intimate confrontations with an impressionistic flair that focusses attention on characters’ listening, thinking, and remembering; flashbacks and dream sequences infuse Jay’s tightening conflicts with the pressure of history—both social and intimate.
You can read the full review where it was originally posted online.
This review of Residue (2020) was written by Richard Brody and published by The New Yorker on 17 Sep 2020.
Residue has generally received positive reviews.
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