Review of Red River (1948) by Pauline Kael for The New Yorker — 05 Apr 1952
It’s a seemingly antithetical approach which separates Hawks’s cinema from its contemporaries and, in the case of Red River, shifted the moral viability of the western genre all at once.
You can read the full review where it was originally posted online.
This review of Red River (1948) was written by Pauline Kael and published by The New Yorker on 05 Apr 1952.
Red River has generally received very positive reviews.
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