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Last updated: 07 Jun 2026 at 01:05 UTC

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Review of Rashomon (1950) by Cody M — 26 Sep 2010

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Rewatching this for the first time in many years. Timeless. Fucking. Classic.

This review of Rashomon (1950) was written by Cody M on 26 Sep 2010.

Rashomon has generally received very positive reviews.

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More Reviews of Rashomon

Review of Rashomon (1950)

By Spencer P (651) on 21 Sep 2016

A typically finely-shot and well-scripted drama from Akira Kurosawa, but after all the intrigue and character experiments, which are quite…

Review of Rashomon (1950)

By David Nusair (3,363) for Reel Film Reviews (3,339) on 05 Mar 2018

overtly devoid of entertaining, engrossing elements and generally comes off as a fairly interminable cinematic experience…

Review of Rashomon (1950)

By Pedro D (104) on 30 May 2016

An empty movie from Kurosawa. It might have been fresh and interesting at the time but it is not now…

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By Sotiris K (128) on 05 Dec 2018

A tremendously influencial masterpiece of aesthetics and narration. The best of Kurosawa's early works…

Review of Rashomon (1950)

By Knox M (462) on 11 Jun 2017

A murdered samurai is found in the forest near some sort of post…

Review of Rashomon (1950)

By Greg R (1,187) on 25 Dec 2018

I can't say I enjoyed the film, nevertheless I appreciate the interpretation the director gave to the story, and how revolutionary and innovative…

Review of Rashomon (1950)

By Joel H (841) on 30 Jan 2017

I appreciate Rashomon for what it is and the influence that it had on film, but, to be completely honest, it hasn't aged very well…

Review of Rashomon (1950)

By Hardy H (232) on 16 Feb 2017

This film utilizes one of my favorite story-telling techniques…

Review of Rashomon (1950)

By Emile H (131) on 19 May 2016

Kurosawa's best. A surprising commentary that still seems to reflect even the most modern of times…

Review of Rashomon (1950)

By Petros T (610) on 05 Aug 2016

A great - and now common - premise: three different versions of the same events that lead to a murder are recounted, and it's only at the end…

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