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Last updated: 10 Jul 2026 at 04:36 UTC

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Review of by Dave Kehr for Chicago Reader — 03 Apr 2012

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Alfred Hitchcock's 1960 masterpiece blends a brutal manipulation of audience identification and an incredibly dense, allusive visual style to create the most morally unsettling film ever made. The case for Hitchcock as a modern Conrad rests on this ruthless investigation of the heart of darkness, but the film is uniquely Hitchcockian in its positioning of the godlike mother figure.

It's a deeply serious and deeply disturbing work, but Hitchcock, with his characteristic perversity, insisted on telling interviewers that it was a "fun" picture.

You can read the full review where it was originally posted online.

This review of Psycho (1960) was written by and published by Chicago Reader on 03 Apr 2012.

Psycho has generally received very positive reviews.

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