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Last updated: 19 Jul 2026 at 14:51 UTC

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Review of by Glenn Kenny for The New York Times — 12 Jan 2018

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Ms. Henson, ever simmering, takes Mary’s moral conundrum very seriously. Her expressive eyes and nuanced body language work well for the character; she can put across a major change in attitude just by shifting a hip.

The script, though, doesn’t give her a whole lot of material with which to credibly enact her character’s crisis.

You can read the full review where it was originally posted online.

This review of Proud Mary (2018) was written by and published by The New York Times on 12 Jan 2018.

Proud Mary has generally received mixed reviews.

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