Review of Profile (2018) by Orla Smith for The Film Stage — 11 May 2021
While the gloss of studio thrillers allow enough distance that we can sit back and be entertained by what’s on screen, Profile’s desktop setting makes Amy’s situation all the more immediate, because it feels so authentic.
The film is proof that ScreenLife isn’t just a gimmick, but a cinematic tool we ought to be taking seriously.
You can read the full review where it was originally posted online.
This review of Profile (2018) was written by Orla Smith and published by The Film Stage on 11 May 2021.
Profile has generally received positive reviews.
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