Review of Prince of Darkness (1987) by Dirigiblepulp — 12 Dec 2016

The atmosphere is incredibly dense, it's an unrelenting thickness suffocating everything else, including plot, character and common sense. But man does it work and brilliantly.

The score is typically moody and great, and it's used effectively as a constantly reverberating background beat to the slow unveiling of hell on an uncoupling earth. This film works so well because it's truly unrelenting, and I don't mean in the Evil Dead sense of constant assault, but in its unbearable grip on your audio and visual senses. It's a slow strangling.

This film also made me realize how great of a stylist Carpenter is. I always knew that on some level, but watching this again for the second time I realized how casual Carpenter is in his brilliance. His shots have an off-the-cuff elegance, almost as a painter so in control of his work he doesn't have to stop and savor his great images because they all are in a way, each shot into the next, a kind of constantly evolving masterful painting of horror. Shots of crosses through fence links, zombie faces awash in black and shadow, the lighting of an Argento witches movie, the soft surrealism of water dripping upward yet slowly outward towards hell, visions of ants invading the back grating of a TV set, white light from inside calling to them.

It's kind of amazing. I really really wish the plot came together a bit more. I like the obtuseness of it to a point (how much could the characters really know about it all) but because of that a lot of the revelations come from people hypothesizing out loud in a way that you know the movie is trying to explain itself without actually having to -- having its cake and eating it too.