Review of Persona (1966) by Pauline Kael for New Yorker — 06 Apr 2016
Ingmar Bergman's best film, I suppose, though it's still fairly tedious and overloaded with avant-garde cliches.
You can read the full review where it was originally posted online.
This review of Persona (1966) was written by Pauline Kael and published by New Yorker on 06 Apr 2016.
Persona has generally received very positive reviews.
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