Review of Persona (1966) by Richard Brody for The New Yorker — 23 Mar 1984
Bergman blends a theatrical subjectivity—scenes of the inner life that defy physical reality and depend on special effects, whether in the film lab or on set—with a tactile visual intimacy, with his characters, the objects close at hand, and the superb coastal landscape.
You can read the full review where it was originally posted online.
This review of Persona (1966) was written by Richard Brody and published by The New Yorker on 23 Mar 1984.
Persona has generally received very positive reviews.
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