Review of Paris, Texas (1984) by Jonathan Rosenbaum for Chicago Reader — 30 Oct 1993
Like Wenders's other road movies, this is largely about the spaces between people and the words they speak—Antonioni updated and infused with German romanticism; the various means of indirection through which the hero communicates with his son (Hunter Carson) and wife (Nastassja Kinski) constitute a striking motif.
You can read the full review where it was originally posted online.
This review of Paris, Texas (1984) was written by Jonathan Rosenbaum and published by Chicago Reader on 30 Oct 1993.
Paris, Texas has generally received very positive reviews.
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