Review of Parasite (2019) by Anthony Lane for The New Yorker — 14 Oct 2019
Bong, in short, is a merchant of stealth. There is no more frenzy in the editing of Parasite than there are shudders in the motion of the camera, and, as with Hitchcock, such feline prowling toys with us and claws us into complicity with deeds that we might otherwise fear or scorn.
You can read the full review where it was originally posted online.
This review of Parasite (2019) was written by Anthony Lane and published by The New Yorker on 14 Oct 2019.
Parasite has generally received very positive reviews.
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