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Last updated: 13 Jun 2026 at 23:45 UTC

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Review of by Anthony Lane for The New Yorker — 05 Nov 2018

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Among the Scots, look out for James Douglas (Aaron Taylor-Johnson), the bellow of whose triumphal rage is at once thrilling and scarcely human. For a few seconds, we forget that we are watching a well-mounted period drama about a minor regional conflict; a blood-thirst as basic as this feels horribly timeless.

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This review of Outlaw King (2018) was written by and published by The New Yorker on 05 Nov 2018.

Outlaw King has generally received positive reviews.

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