Review of Ordet (1955) by John A — 26 Feb 2009
A formally complex and achingly beautiful masterpiece about faith both living and dying, and the effects it has on a small village in Jutland. Dreyer's use of space really is astounding, as his movement of the camera allows his actors to physically relate to one another during complex scenes and lengthy shots.
And as he drives toward the conclusion, the film becomes increasingly emotionally involving, joyously erupting in one of the most beautiful moments in all of cinema.
This review of Ordet (1955) was written by John A on 26 Feb 2009.
Ordet has generally received very positive reviews.
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