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Last updated: 04 Jun 2026 at 15:08 UTC

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Review of by Erik Childress for RogerEbert.com — 07 Feb 2017

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Begins as a very funny comedy, but its two lead performances (including the best work of Whitman's career) carry the film to uncommon insight into how we relate, emote and will always need the spontaneity of the human experience.

You can read the full review where it was originally posted online.

This review of Operator (2016) was written by and published by RogerEbert.com on 07 Feb 2017.

Operator has generally received positive reviews.

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