Review of Onibaba (1964) by A.h. Weiler for New York Times — 09 May 2005
Although his artistic integrity remains untarnished, his driven rustic principals are exotic, sometimes grotesque figures out of medieval Japan, to whom a Westerner finds it hard to relate.
You can read the full review where it was originally posted online.
This review of Onibaba (1964) was written by A.h. Weiler and published by New York Times on 09 May 2005.
Onibaba has generally received very positive reviews.
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