Review of Obsession (1976) by Jonathan Rosenbaum for Chicago Reader — 02 Aug 2000
There's nothing in the aesthetic and neo-Freudian delirium within hailing distance of Vertigo, and the plot's often more complicated than complex, but Herrmann's overpowering score and De Palma's endlessly circling camera movements do manage to cast a spell.
You can read the full review where it was originally posted online.
This review of Obsession (1976) was written by Jonathan Rosenbaum and published by Chicago Reader on 02 Aug 2000.
Obsession has generally received positive reviews.
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