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Review of by David Denby for The New Yorker — 24 Mar 2014

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It’s as if von Trier shot the main scenes while in one of his famous depressive funks, then edited the film in a more cheerful, impish mood. At times, the tantalizing mixture of sexual neurosis and wayward humor in this memoir of a woman of pleasure suggests a collision between "Fanny Hill" and "Annie Hall.

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This review of Nymphomaniac: Vol. I (2013) was written by and published by The New Yorker on 24 Mar 2014.

Nymphomaniac: Vol. I has generally received positive reviews.

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