Review of Notorious (1946) by Pauline Kael for The New Yorker — 26 Jul 1994
Love is a dark, corroded obsession in Alfred Hitchcock’s Notorious, a black-velvet biocide brimming with notes of tabloid titillation, spy-versus-spy nonsense, and romance as rotten as a half-eaten Granny Smith left out in the summer sun.
You can read the full review where it was originally posted online.
This review of Notorious (1946) was written by Pauline Kael and published by The New Yorker on 26 Jul 1994.
Notorious has generally received very positive reviews.
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