Review of Nosferatu the Vampyre (1979) by Ren M — 03 Aug 2007

I've never seen a movie set a mood so well.

This review of Nosferatu the Vampyre (1979) was written by Ren M on 03 Aug 2007.

Nosferatu the Vampyre has generally received very positive reviews.

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More Reviews of Nosferatu the Vampyre

Review of Nosferatu the Vampyre (1979)

By Who A (75) on 02 Jan 2018

A slow film, based on a classic story…

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Review of Nosferatu the Vampyre (1979)

By Eduardo L (198) on 07 Jan 2017

Ambient and stylish. Heavy on the creepy, easy on the gore. A real masterpiece…

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Review of Nosferatu the Vampyre (1979)

By Matthew S (2,399) on 23 Mar 2016

Beautiful, enchanting horror remake/adaptation with the usual bizarre touches of the astounding Werner Herzog…

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Review of Nosferatu the Vampyre (1979)

By Alex K (2,253) on 29 Jul 2017

This stands as the greatest remake of all time. People think that Kinski was a nut... maybe. But this is the creepiest performance ever…

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Review of Nosferatu the Vampyre (1979)

By Jared B (438) on 28 Jul 2018

Kraus Klinski is the absolute highlight of this remake of Noseferatu 1922, bringing uncanny resemblance to Max Schreck as Count Orlok…

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Review of Nosferatu the Vampyre (1979)

By Greg W (4,011) on 29 Mar 2015

Way too pretentious and lazy for my blood…

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Review of Nosferatu the Vampyre (1979)

By Wendy Ide (1,500) for Times (UK) (2,458) on 21 Sep 2015

It's a curious mix: at times deliriously hammy, at others melancholy, contemplative and oddly beautiful…

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Review of Nosferatu the Vampyre (1979)

By Carlos M (2,069) on 02 Nov 2018

With a cold and solemn approach, Herzog makes an entrancing remake of Murnau's classic that is always beautiful to look at - much like a painting…

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Review of Nosferatu the Vampyre (1979)

By Charles P (1,784) on 06 Aug 2015

The 1979 remake of the 1922 horror masterpiece is the closest any movie could come to matching the status of its original from the beautiful…

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Review of Nosferatu the Vampyre (1979)

By Chuck Bowen (756) for Slant Magazine (8,298) on 11 Mar 2016

Herzog’s idiosyncratic horror classic remains a vital conversation between two distinct generations of brilliant German filmmakers…

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