Review of Nosferatu (1922) by Richard Brody for New Yorker — 20 Aug 2013
The metaphysical style is most vividly rendered by Murnau's obsessive use of point-of-view shots, which force a viewer to follow the characters into the abyss of their terrifying visions.
You can read the full review where it was originally posted online.
This review of Nosferatu (1922) was written by Richard Brody and published by New Yorker on 20 Aug 2013.
Nosferatu has generally received very positive reviews.
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