Review of Nashville (1975) by Michael F — 01 Mar 2007

Before "Crash," Before "Babel," there was NASHVILLE. It outdoes all the others. Also see SHORT CUTS.

This review of Nashville (1975) was written by Michael F on 01 Mar 2007.

Nashville has generally received very positive reviews.

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More Reviews of Nashville

Review of Nashville (1975)

By Johannes J (261) on 29 Jun 2015

Robert Altman's NASHVILLE is without question not only one of the most important films to emerge from the 1970's -- it is a cinematic masterpiece…

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Review of Nashville (1975)

By Dan S (1,466) on 03 Feb 2014

A clever, well-paced satire about country music and politics taking place on a weekend in Nashville, TN…

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Review of Nashville (1975)

By Byron B (1,084) on 01 Oct 2013

Altman is great at just letting the characters tell the story and with 24 different characters, there is always something going on…

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Review of Nashville (1975)

By Giovanni M (788) on 02 May 2015

Through music and a god-like point of view, Robert Altman offers us the intimacies of american society in all its wide, kaleidoscopic nature…

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Review of Nashville (1975)

By John Oursler (19) for PopMatters (2,617) on 20 Nov 2018

Politics and art collide in Altman's dense tapestry, showing that part of American's beguiling promise is the inevitability of commodification…

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Review of Nashville (1975)

By Edgar C (1,352) on 21 Jun 2014

If Altman had never made the masterfully haunting and psychologically disturbing nightmare called 3 Women (1977), Nashville would undoubtedly…

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Review of Nashville (1975)

By Luke R (793) on 21 Jun 2014

If Altman had never made the masterfully haunting and psychologically disturbing nightmare called 3 Women (1977), Nashville would undoubtedly…

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Review of Nashville (1975)

By Jluis_001 (2,242) on 19 Feb 2022

Nashville has an approach that could give the impression of being presumptuous, but I don't see it that way…

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Review of Nashville (1975)

By Colm M (245) on 28 Nov 2013

Difficult to absorb initially and over long…

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Review of Nashville (1975)

By X X (227) on 15 Aug 2013

One of the great mosaics of Altman's career, a pastiche of zeitgeist Americana that does justice to a great concept - the parable of jingoistic…

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