Review of Nanny (2022) by Margaret Rasberry for The Film Stage — 28 Jan 2022
Her feature debut nods to Ousmane Sembène’s seminal Black Girl while distilling the trials her parents, immigrants from Sierra Leone, endured as Jusu grew up in Atlanta—a mix of domestic drama and frightening images to make us fellow outsiders in a suffocatingly insular world.
You can read the full review where it was originally posted online.
This review of Nanny (2022) was written by Margaret Rasberry and published by The Film Stage on 28 Jan 2022.
Nanny has generally received mixed reviews.
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