Review of My Man Godfrey (1936) by Pauline Kael for The New Yorker — 02 Nov 1991
Gregory La Cava's improvisational style received its highest critical acclaim for this 1936 film, a marginally Marxist exercise in class confusion during the Depression.
You can read the full review where it was originally posted online.
This review of My Man Godfrey (1936) was written by Pauline Kael and published by The New Yorker on 02 Nov 1991.
My Man Godfrey has generally received very positive reviews.
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