Review of Motherless Brooklyn (2019) by Marjorie Baumgarten for Austin Chronicle — 30 Oct 2019
If the screenplay pulls at threads that don’t always pay off, the actors and the thoughtful cinematography of veteran Dick Pope always ensure that there’s something engaging to watch onscreen. A sequence set in the jazz club, during which the jumpy music and Lionel’s mental and physical state merge into an intuitive singularity, is a real standout.
You can read the full review where it was originally posted online.
This review of Motherless Brooklyn (2019) was written by Marjorie Baumgarten and published by Austin Chronicle on 30 Oct 2019.
Motherless Brooklyn has generally received positive reviews.
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