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Last updated: 03 Jun 2026 at 22:19 UTC

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Review of by Hal Hinson for Washington Post — 30 Apr 1991

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All of the actors acquit themselves admirably, especially Stolz, who has a star's low-key magnetism, and the jazz stylist Harry Connick Jr., who makes his acting debut here as the drawling rear gunner.

But the roles are too generic for anything like real depth. The fight scenes are about what you'd expect; they're competently shot, but even when they deliver thrills, every scene, every passage, is familiar.

We've seen it all before.

You can read the full review where it was originally posted online.

This review of Memphis Belle (1990) was written by and published by Washington Post on 30 Apr 1991.

Memphis Belle has generally received positive reviews.

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