Review of Meek's Cutoff (2011) by David Denby for New Yorker — 10 Apr 2011
Cinematic as it is, Meek's Cutoff has an uncanny theatricality. The scenes alternating between windswept emptiness and the dark void could be played on a barren stage. For all its detailed authenticity, this minimalist "Wagon Train" is less naturalistic than existential.
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This review of Meek's Cutoff (2011) was written by David Denby and published by New Yorker on 10 Apr 2011.
Meek's Cutoff has generally received positive reviews.
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