Review of Me and You and Everyone We Know (2005) by Dana Stevens for The New York Times — 14 Apr 2008
Though her movie has a clear narrative line, and might even be classified as romantic comedy, it is also a meticulously constructed visual artifact, diffidently introducing the playful, rebus-like qualities of installation art to the conventions of narrative cinema.
You can read the full review where it was originally posted online.
This review of Me and You and Everyone We Know (2005) was written by Dana Stevens and published by The New York Times on 14 Apr 2008.
Me and You and Everyone We Know has generally received positive reviews.
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