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Last updated: 19 Jul 2026 at 05:27 UTC

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Review of by Ben Kenigsberg for The New York Times — 17 Nov 2022

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The thesis of the movie — that art can be restorative and help overcome cyclical, systemic failures — might seem trite. But Morton’s devotion to his painting and his loved ones makes it difficult not to be moved.

You can read the full review where it was originally posted online.

This review of Master of Light (2022) was written by and published by The New York Times on 17 Nov 2022.

Master of Light has generally received positive reviews.

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