Review of Margot at the Wedding (2007) by David Denby for New Yorker — 12 Nov 2007
The characters observe no boundaries, and neither does the movie--Baumbach hasn’t worked out the struggle between speaking and withholding, as Bergman did. People simply blurt out scathing remarks, so there’s little power in the revelations and betrayals.
“Margot” is sensually as well as dramatically impoverished.
You can read the full review where it was originally posted online.
This review of Margot at the Wedding (2007) was written by David Denby and published by New Yorker on 12 Nov 2007.
Margot at the Wedding has generally received mixed reviews.
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