Review of Manhattan (1979) by Christopher S — 30 Apr 2013
A terrific continuation of Allen's work after Annie Hall, Manhattan is graceful and often dark look at the true duality of a relationship, while placed against the backdrop of a dual city. Woody Allen is very much aware of the Romantic beauty of New York, which is the white of Manhattan, but the underbelly of all-too familiar sex, lies and betrayal is the black of Manhattan.
Together they fit perfectly to be a black-and-white film about a black-and-white idea. Other than that, the performances are again brilliant and natural, and Allen succeeds in displaying truly beautiful romanticism in his, in my opinion, finest film.
This review of Manhattan (1979) was written by Christopher S on 30 Apr 2013.
Manhattan has generally received very positive reviews.
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