Review of Magic Mike (2012) by Redowlreviews — 17 Jul 2013

(skip to the last paragraph for a concise one-sentence summary and a number).

What kind of film is Magic Mike? No, seriously, think about it. Classically, Magic Mike is a drama about the consequences of a lost individual’s decision to become a male stripper. But is it a light drama, or a dark drama? Or some indescribable mix? The inherent sexuality of the film, combined with playful stage setups and fanciful choreography, lightens the mood of the film (and, of course, makes for a rowdy female audience) However, as director Steven Soderbergh rapturously depicts the slow enlightenment of “Magic Mike” and descent of “The Kid,” the film reveals itself to be a much darker drama than anyone (even Soderbergh) had anticipated.

Now, logistics. Soderbergh has a talent when it comes to dialogue. The wordy drunk conversation style (mostly executed by Channing Tatum) is more impactful than the dialogue itself (which is often empty) in motivating the film, because it defines the fluctuating relationships “Magic Mike” has with every main character. Unfortunately, this talent doesn’t seem to apply to story writing and plot progression. The timing is often disappointing, and halfway through, Magic Mike loses most of its momentum. There should never be a point in these films where the only motivating factor is seeing what “The Kid” pulls out of his sleeve(less leather vest) next. And the awkwardly-placed drug-debt dilemma doesn’t help. Nor does the sudden ending, which leaves the obliviously-spiraling character of “The Kid” totally unresolved.

In conclusion, this is what I have to say: Magic Mike is a sexually charged film with vibrant sets and choreography, but lacks a firm artistic vision (or any vision in general) and as a result falls off its hinges too quickly.

FINAL SCORE: 47.