Review of Lovelace (2013) by John Anderson for Wall Street Journal — 07 Aug 2013
There aren't many bright spots in Lovelace, although one is Amanda Seyfried's intoxicating smile, and another is the retinal insult delivered by a 16mm projector flaring out at the audience during the movie's opening moments, and which feels like an accusation.
It's the odd film that indicts you just for watching. But Lovelace is an eccentric piece of cinema, made by unlikely people.
You can read the full review where it was originally posted online.
This review of Lovelace (2013) was written by John Anderson and published by Wall Street Journal on 07 Aug 2013.
Lovelace has generally received mixed reviews.
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