Review of Love in the Afternoon (1957) by Richard Brody for The New Yorker — 25 Feb 2002
The visual gags that Wilder deploys are as stingingly cynical as ever, but here they have a newfound way with time, which they inhabit with an exquisitely controlled leisure. It’s the first of Wilder’s later and greatest films.
You can read the full review where it was originally posted online.
This review of Love in the Afternoon (1957) was written by Richard Brody and published by The New Yorker on 25 Feb 2002.
Love in the Afternoon has generally received positive reviews.
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