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Last updated: 06 Jun 2026 at 12:58 UTC

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Review of by Tsubaki S — 30 Jan 2008

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Everyone from Besson to Woo and Jarmush, from Leon to The Killer and more recently Kim Ji Woon's A Bittersweet Life own a lot to Melville's Le Samourai. One of the most influential films ever made, probably the first sucessfull fusion of eastern and western references, from noir to samurai flicks. The "lonely-cool-cold-as-ice-killer" prototype becomes an icon in Alain Deloin's feet.

And for fuck sake, remove that "Godson" title.

This review of Le Samouraï (1967) was written by on 30 Jan 2008.

Le Samouraï has generally received very positive reviews.

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