Review of Laws of Attraction (2004) by Arundhati S — 04 Jul 2009

Simple, cliche, cute. Just a usual romantic comedy. It was fun to watch it.

This review of Laws of Attraction (2004) was written by Arundhati S on 04 Jul 2009.

Laws of Attraction has generally received mixed reviews.

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More Reviews of Laws of Attraction

Review of Laws of Attraction (2004)

By Lawrence Toppman (1,654) for Charlotte Observer (1,670) on 22 Sep 2012

This frantic scrambling to create a credible fantasy is typical of the script by Aline Brosh McKenna and Robert Harling, which whips the opposites…

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Review of Laws of Attraction (2004)

By Megan D (210) on 15 Nov 2012

Now who thought this was a good idea…

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Review of Laws of Attraction (2004)

By Ann Hornaday (1,919) for Washington Post (9,851) on 22 Oct 2017

A tame, fitfully amusing and generally inoffensive romantic comedy…

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Review of Laws of Attraction (2004)

By Kati H (33) on 01 Apr 2010

This was excellent! hilarious, cast is excellent! fisher in the role of the mother is simply excellent…

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Review of Laws of Attraction (2004)

By Avid C (212) on 01 Mar 2013

Laws of Attraction is a movie about opposites attract…

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Review of Laws of Attraction (2004)

By Austin M (170) on 03 Jun 2013

Silly and lightweight clone of sorts. Harmless and insignificant diversion…

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Review of Laws of Attraction (2004)

By Ognian (1) on 15 Sep 2019

The film is truly magic. An ideal cohesion between love and laughter. It was a really good movie…

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Review of Laws of Attraction (2004)

By Manny C (1,251) on 19 Mar 2011

I'm not opposed to to seeing Pierce Brosnan and Julianne Moore aim for the spirit of Kate Hepburn and Spencer Tracy by playing two rival divorce…

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Review of Laws of Attraction (2004)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 03 Feb 2016

Then they annoy us by trying to deny the attraction while the plot spins its wheels, pretending to be about something…

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Review of Laws of Attraction (2004)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 25 Apr 2010

For comedy, director Peter Howitt relies on halfhearted slapstick as the script contains little of the sharp dialogue one might expect from…

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