Review of Laurel Canyon (2003) by Anthony Lane for The New Yorker — 14 Apr 2012
Cholodenko and her actors pull it off; the performances here are like a wary ballet, ruled as much by the mysterious magnetic attractions and repulsions these characters feel for one another as by anything so dully explicable as psychology or standard rules of social conduct.
You can read the full review where it was originally posted online.
This review of Laurel Canyon (2003) was written by Anthony Lane and published by The New Yorker on 14 Apr 2012.
Laurel Canyon has generally received positive reviews.
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