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Last updated: 19 Jul 2026 at 15:27 UTC

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Review of by Janet Maslin for The New York Times — 08 Jul 2021

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Last Man Standing comes to life only with rapturous gunfights that add Sam Peckinpah to the film maker's pantheon of heroes, and that are ear-splitting enough to jolt the audience out of its seats. These scenes have their firepower, but they would have larger impact if anyone cared which of the film's gangsters lived or died.

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This review of Last Man Standing (1996) was written by and published by The New York Times on 08 Jul 2021.

Last Man Standing has generally received mixed reviews.

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