Review of La Dolce Vita (1960) by Roger Ebert for Chicago Sun-Times — 01 Sep 2017
The movie is made with boundless energy. Fellini stood here at the dividing point between the neorealism of his earlier films (like "La Strada") and the carnival visuals of his extravagant later ones ("Juliet of the Spirits," "Amarcord'').
You can read the full review where it was originally posted online.
This review of La Dolce Vita (1960) was written by Roger Ebert and published by Chicago Sun-Times on 01 Sep 2017.
La Dolce Vita has generally received very positive reviews.
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