Review of Klute (1971) by Brian R — 21 Jan 2011
What probably read as a pretty uninteresting story is brought to stunning, sanguine life by Alan J. Pakula. The plot is thin and unsatisfying, and I don't think I'll ever truly get Donald Sutherland's complete disinterest in everything he gets cast in, but the center of the film is rightly Jane Fonda's high-class hooker Bree.
Watching her move through this bizarrely cryptic, sinister world is captivating; she digs her talons into the psychology of this angry, intelligent woman and doesn't let go. It is a full, consummate performance, fabulous and yet oddly underseen work.
She is clearly the center of Pakula's aesthetic; I found his mise-en-scene to be something of a representation of Bree herself, enigmatic and obscured but in some ways very forthcoming. The gruesome parts are easy to see, but everything else feels hidden away.
If you're looking for a subtly stylish, quiet thriller with one instance of excellent character work, Klute will fit the bill. It isn't perfect, lacking dramatic impact and not fully scaffolded by all involved, but its visual clout is clear.
This review of Klute (1971) was written by Brian R on 21 Jan 2011.
Klute has generally received positive reviews.
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