Review of Kimi (2022) by David Ehrlich for IndieWire — 09 Feb 2022
The sheer banality of Angela’s cat-and-mouse game against the corporate assassins on her trail is chilling enough to compensate for the movie’s limited scope, and Soderbergh creates such a vivid sense of plein air claustrophobia — of being caught in a net as wide as a wifi signal — that he can stage an intense action set piece in a public/private space as small as the back seat of a van.
You can read the full review where it was originally posted online.
This review of Kimi (2022) was written by David Ehrlich and published by IndieWire on 09 Feb 2022.
Kimi has generally received positive reviews.
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