Review of Kimi (2022) by Manohla Dargis for The New York Times — 10 Feb 2022
However scary that world and however freaky Angela’s situation, Soderbergh never lets the movie get too heavy. Even as the vibe shifts and the atmosphere grows more ominous, he maintains a lightness of touch and a visual playfulness that keeps the movie securely in the realm of pop pleasure.
You can read the full review where it was originally posted online.
This review of Kimi (2022) was written by Manohla Dargis and published by The New York Times on 10 Feb 2022.
Kimi has generally received positive reviews.
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