Review of Kes (1970) by Halfpint L — 07 Dec 2008

I pretty much detest British cinema: it is generally self-indulgent, miserable, short-sighted and grimy. Most of the best British directors, from Hitchcock and beyond, moved to Hollywood, where they knew what was good for them.

But Ken Loach is an exception, and his innate and instinctive understanding of pure cinematic language bleeds through every frame of this unique and wonderful film. The editing in the scene where Colin Welland watches David Bradley train his hawk is testament to his cinematic skill, with its powerful use of ever-closer shots.

To view 'Kes' as a depressing, bleak experience is to misunderstand its intent and meaning. For while it will draw tears and anger, it also celebrates what it means to be human, in a very real and emotional way.

If you finish watching this remarkable film thinking "Don't let the bastards grind you down" then Loach has done his work. And now, its up to you.