Review of Inu-Oh (2022) by Phil Hoad for The Guardian — 28 Sep 2022
Retrofitting medieval Noh as a world of guitar gods and cavorting dancers, Inu-oh has its two disabled lead characters make a psychedelic plea in favour of slipping loose from dominant narratives, told in a fecund patchwork of styles by Yuasa that asserts its own outsider credentials.
You can read the full review where it was originally posted online.
This review of Inu-Oh (2022) was written by Phil Hoad and published by The Guardian on 28 Sep 2022.
Inu-Oh has generally received very positive reviews.
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