Review of I, Tonya (2017) by Richard Brody for The New Yorker — 08 Dec 2017
Gillespie stages his empathy for Tonya at arm’s length; he fails to respond to her experience in a direct, personal way. The result is a film that’s as derisive and dismissive toward Tonya Harding as it shows the world at large to have been.
You can read the full review where it was originally posted online.
This review of I, Tonya (2017) was written by Richard Brody and published by The New Yorker on 08 Dec 2017.
I, Tonya has generally received very positive reviews.
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