Review of House of Games (1987) by Tammi W — 20 Jan 2008

David Mamet's House of Games is an interesting film from a stylistic point of view. The director's style is minimalistic but expressive. The dialogue and delivery at times appears to be forced, and much of this can probably be attributed to Mamet's background as a playwright. It is interesting that this minimalism is countered by highly expressive cinematography that really sets the mood in an effective manner.

For the most part, the plot is fascinating. The first gambling scene and con is incredibly engaging and the result comes as a big surprise to the audience. It also happens to be the film's major flaw, though, because the early parts of the movie reveal a pattern to the audience which ultimately gives away the ending. I saw what was coming far too early, and it spoiled the second part of the film for me. The double double-cross was certainly reminiscent of films like The Sting, but not nearly as effective or well-executed. Luckily, the final moments are still somewhat surprising, if a bit contrived. I question the characterization of the main character and whether or not she would act as she did.

Nonetheless, House of Games is a solid film, if only for the fascinating techniques and cons that are executed, and the element of human nature that is inevitably involved in them.